In March 2016 I enrolled in a 6 week beginner wheel class and I have never looked back! I record my progress on this page mainly for my friend Cara who inspired this blog, but also for anyone who might be interested in pottery and the creative process.

My second and third teapots have made it through their final firings! I tried different handles and different shapes on each one. The thick brush strokes of chrome green slip on the second teapot give an interesting patina effect under the turquoise glaze. I will be experimenting more with this look. The first teapot I made was way too small, the second one is more of a two person teapot, and the third is just right for me. All in all I learned so much and I’m pleased with the results. Here is number two.

… and number three.

Number three has a matching cup!

Here are all three together on my kitchen table for scale.

I have been working on more vases in mixed clay, and plant pots big enough to insert a plant in a 4 inch pot. I’m not quite there yet…

I love this glaze called lichen. I tried painting it on for the pot on the left, and dipping for the one on the right. Dipping is where it’s at!

I will glaze these two dark red clay vases in lichen.


I’m making a new series of vases blending light and dark clay. Here are my first two pieces.

More to come… I’m trying to work larger ultimately aiming for something around 8 inches tall with a 4 to 5 inch opening.
Other current projects are more tea pots and my constant quest for the perfect bowl. Here’s tea pot number 3. I’m liking the side handle!

Some failed bowls (too heavy!)

More current projects.


I am like a metronome, going from light to dark clay and back. I don’t like to stay with the same thing for too long, choosing instead to work in open ended themes I keep returning to.

I’m working on my second tea pot. I just need to make another 9998 to become an expert! I draw design ideas but it’s only after crafting an object and using it that designs get perfected, combining ergonomics with beauty.

I made a few lids but this is the one I like best for now.

This tea bowl has the same chrome green slip slathered on the side with my favorite clear turquoise glaze. Hopefully the tea pot looks similar…

This bowl in red clay has a very runny glaze over a cobalt blue glaze.

Jade glaze dripping down the sides of some bud vases.

My newest favorite glaze: lichen.


I have been working with textures and glazes to add spontaneity and immediacy to simplified shapes.

I still love the range of colours I can get using a clear turquoise glaze. Here are some new jars for Tree Medicine. Soon I will be foraging this year’s cottonwood buds, can’t wait!

I will be making more mugs like this, most comfortable handle I ever made.

I was a bit sad when this cup broke during it’s trip home, but the texture gives me an idea for a new teapot!

I’ve also strayed into new colour territory, exploring some ochre/turmeric hues on little bottles for infused oils.

These recent pieces are taking my work in new directions. I love how the surface of this little pot reflects the architecture.

I also love the contrast between the raw and glazed areas.

I am making small bottles and vases in white clay right now but I’ll be going back to the red clay again soon.



I have been enjoying working with a deep red clay called Navajo again. In progress are little jars for my newest black drawing salve, and some mugs and vases. I haven’t been very productive because I’m trying to stretch my skill level and create new shapes, and that means lots of fails at the wheel this month. I really like this vase though, I hope I like it as much once it’s done!
These two mugs have fun round bottoms.

Who doesn’t like a nice round bottom!

These are ready for the bisque firing.

I hope I like this combination just as much as I do on the mug below.

The clay body makes a tremendous difference in how the glaze turns out, not to mention the contrast between the raw clay base and the glazed areas.

I will never know if I don’t try, and it’s still fun to experiment and perfect some shapes I enjoy.

Salve jars!

Work from May and June is finally starting to trickle out! The chrome green slip experiments yielded some nice texture and transparency on tea cups…

… and vases.

Thick chrome green slip under white glaze yielded a strange patina on this dragon bowl.

Here is the chrome green slip under white glaze on a stubby bottle shape,

and textured white slip under clear glaze on a cafe au lait bowl.

Here are some salve jars with my newest Tree Medicine, a black drawing salve made with activated charcoal, herbs from my garden, and healing essential oils.

I am working in a dark red clay called Navajo now. It has been very hot and I’ve been careful to let things dry very slowly so nothing cracks in process. I may continue some of the same experiments over the dark clay. The possibilities are limitless, and I’m trying to avoid over-thinking everything. It’s fun to be detached and just try new things. Sometimes a form you really like can be ruined by a poor choice of glaze but it’s worth it each time an unexpected treasure comes out of the kiln.


There’s a surface treatment I’ve been playing with since I started working in clay.  The horizontal grooves remind me of wood grain or tire tracks in the snow. Recently I had the idea to use beeswax as an inlay, here is a bowl I tried it on.

I’ve also been playing with chrome green slip, layering it under transparent turquoise or milky white glazes. This vase is one of my favorite accidents.

I will also be working with this combination more.

I’m currently working on vases, tea cups, coffee bowls, and salve jars for my newest Tree Medicine.

Some Salve jars drying.

Here is a coffee bowl waiting for its first firing.

And here is a finished one.


So much life death grief and healing has happened since I last posted. Here are some of the pieces I have been working on. New experiments using slips, stencils, and carving have yielded mixed results. The sample tiles were just not at all accurate in terms of colour! But as always the process of making these things is so much more than the object itself. And after I let go of my initial vision and expectations I can appreciate them. I want to apply this to my entire life!

The cup on the left has chrome green slip and white glaze, the middle one has white slip and one coat of turquoise glaze, and the one on the left has chrome green slip and 2 coats of turquoise glaze. 

The bowl on the left has black slip and one coat of white glaze, the one on the right has black slip and two coats of white glaze. I decided that the mossy green-grey of the chrome green/white combination might work well on this French butter dish. I recently started to make my own butter and it seemed like the next step would be to make a cool butter dish. This is a trend with me that started with making containers for my own fermented veg and wildcrafted herbal salves…

Butter dish in progress…



I am a big fan of bowls. For now, my skill level and a lingering shoulder injury keep me working small. I am experimenting on some tea bowls and soup bowls with hand drawn stencils and sgcraffito. I will be layering slips and glazes and I have no idea how this stuff will turn out. Sometimes the objects just don’t live up to my vision, but the joy is in the making. This is black slip over my stylized cloud stencils.

And this is sgraffito over top. Once this is fired I will glaze with a semi-opaque milky glaze…

Here is the chrome green slip test tile, it’s very unpredictable so the tea bowl below may be a complete fail… or (fingers crossed) a happy accident!

Tea bowl with full moon and clouds.